Past Exhibits

Continua | Scout Dunbar


Continua
features two and three-dimensional explorations in various printmaking techniques by Ink Shop Kahn-Family Fellow, Scout Dunbar. An extension of her previous June show entitled Heaven and Earth at The State of the Art Gallery, Ms. Dunbar aims to explore various printmaking processes in an effort to create micro and macrocosms. Her images examine the interconnectedness of histories and time, while raising to question human’s sense of self, and our attempt to control and comprehend the un-known.

 

 

 

 

Upstate|Downstate: Ink shop at EFA Robert Blackburn

This exhibit is the first in a two part exchange of work between the Ink Shop Printmaking Center of Ithaca, NY and EFA Robert Blackburn Printmaking Workshop Program in NYC

Member Show

Ink Shop 2013 Member ShowReception Fri, July 5, 5-7pm  (turning gallery lights off a little early due to the heat!)       
June 7 - July 31, 2013Liz Grantham

The Ink Shop Printmaking Center's Annual Members' Exhibit features Ink Shop artists exploring many varied printmaking techniques. The Ink Shop has developed a solid reputation for providing professionally curated exhibitions. We have shown artists/printmakers from all over the world and been invited to show our work nationally and internationally, as far away as Japan. Our popular classes, taught by members, include intaglio, etching, lithography, bookbinding, wood cut and screen printing. Come June and July and explore our exhibit of over twenty member artists.

10 Years And Beyond: Limerick / Ink Shop Exchange


This exhibition is a portfolio exchange project between 15 artists from both

The Limerick Printmakers in Limerick, Ireland and

The Ink Shop Printmaking Center in Ithaca, NY.

 

Orlagh Spain   A Rococo Heart

 Orlagh Spain A Rococo Heart screenprint
 

 

 


Patricia Hunsinger Screenprint

 

Both studios were founded in 1999 and are not-for-profit printmaking centers that offer professional facilities for making fine art prints, an exhibition gallery and educational programs. We work with heavy equipment (presses), inks and unusual tools, often leading us to creative experimentation and sharing within the studio.

 

Today's independent printmaking centers provide a home for artists who practice this unique form of visual expression. The supportive environment of the print centers provides exchange of artistic ideas and educates the public about printmaking and its intriguing processes. We practice the traditional methods of printmaking, such as etching, lithography, woodcut, linocut and silkscreen, as well as experiment with contemporary techniques, materials and tools.

 

From this visual continuity comes a sense of community, with a single, composite horizon connecting pieces originated from different corners of the world.

People's History

People’s History curated by Ryan Clover-Owen
Opening Reception Fri, Apr 5, 2013
April 5 - May 31, 2013

Peoples History curated by Ryan Clover-Owen

Curated by Ryan Clover-Owens, thus exhibit will feature artwork from the Just Seeds Artists’ Collective, a group of contemporary artists who have addressed a myriad of topics in the “Celebrate People’s History” series, from Emma Goldman and Malcom X to the Occupation of Alcatraz and the Zapatista uprising in Mexico. The show is a program of the Durland Alternatives Library at Cornell University and is comprised of about 60 posters in the CSMA Corridor.  

Printmakers of Cape Cod


The Printmakers of Cape Cod will be exhibiting recent work at The Ink Shop Printmaking Center. The exhibit was curated by Leslie Kramer, former printmaking instructor at Elmira College
Sara Ringler  Wind and River with Moon Rising  woodcut

The Printmakers of Cape Cod Invitational exhibit represents a diverse group of artists who work in a range of printmaking techniques, including, monotype, etching, woodcut, lithography, solar plate printing, digital printmaking, and mixed media.  As a group, they focus on regional exhibits, although individual members have exhibited both nationally and internationally.


Leslie Kramer Indigo Sea    

 

 

Student Show | Ithaca College

Ithaca College | Student Prints

Opening Reception Friday, April 5, 2013

April 5 - April 30, 2013

Curated by Pamela Drix, co-founder of the Ink Shop, who currently teaches at Ithaca College. This exhibition will highlight the best work by students in introductory and advanced printmaking classes at Ithaca College.

Faculty members Susan Weisend, Patricia Hunsinger, and Pamela Drix have each handpicked the best of the prints in this show. Different processes are represented, including intaglio, woodcut, linocut, screenprinting, lithography, and bookmaking. In some cases, hybrid approaches are integrated into the students' prints.

Susan Weisend is the Chair of the Art Department, and teaches Introduction to Printmaking, Screenprinting, and Book Design. Patricia Hunsinger teaches 2D Design, Lithography, and Advanced Printmaking, and Pamela Drix teaches Introduction to Drawing and Introduction to Printmaking.

 

No Land Escapes

No Land Escapes curated by Barbara McPhail
Reception Fri, Mar 1, 2013        Feb 1 - Mar 29, 2013

No Land Escapes is an exhibit by six artists from NY State and Wisconsin whose work speaks to the environmental, health, and social issues of continued fossil fuel development.

Pamela Drix  |  Elizabeth Durand  |  Craig Mains
Barbara McPhail  |  Teri Power  |  Kathleen Sherin

The artists’ viewpoints feature many facets of the fossil fuel development issue, including the changed landscape, the potential of toxicity, related water issues, the beauty of the landscape pre-drilling, and spiritual references embodied in Native American ideas of preservation and protection of the earth. The stories told in the images are informative, heartbreaking and hold this self-evident truth; no landscape involved in fossil fuel development escapes impact.

The exhibit includes printmakers featuring unusual scale, sculptural print combinations, innovative and traditional techniques, and artists from varied geographic locations.

All exhibits made possible with help from the Community Arts Partnership
and special support for this exhibit by the Puffin Foundation

 

 

No Land Escapes: Kickstarter | Facebook

Elizabeth Durand 4

 

Barbara McPhail Eviction

 

Craig Mains Gas Rig Fire

 

Kathleen Sherin TOF

 

Teri Power Changing Landscapes

 

Shifting Perceptions | Cosmos work by Rosalyn Richards

Shifting Perceptions | Cosmos by Rosalyn Richards
Reception Fri, Nov 2, 2012      Nov 2, 2012-Jan 26, 2013

Shifting Perceptions, is a visual narrative that explores signs, symbols, codes and other means of classification derived from scientific and technological sources.

 

Rosalyn Richards, Lewisberg PA,
is a Professor of Art at Bucknell University. She uses diagrams, charts, and other information systems to create imaginary worlds that are evocative and suggestive of natural processes and events.

She has taught at Dartmouth College and University of Central Florida and is an MFA graduate of Yale University School of Art. Richards has won numerous awards including Color Intaglio Award, Society of American Graphic Artists 2011, Recognition award for Etching and Color Printing, New York Society of Etchers, First Ntational Intaglio Exhibition and

Purchase Award, Pacific States Biennial National Print Exhibition, University of Hawaii.

Rosalyn Richards' work is represented in museum collections at Ackland Art Museum - University of North Carolina, Chapel Hill, Brooklyn Museum, Bucknell University, Chicago Art Institute, Grunwald Center for the Graphic Arts - UCLA, Hood Museum - Dartmouth College, Massachusetts Institute of Technology, Mineapolis Institute of the Arts, Museum of Art - Rhode Island School of Design, New Britain Center of American Art, State University of New Mexico - Las Cruces, University of Minnesota, Yale University Art Gallery

 

"Pictorial references may seem familiar but are intentionally abstracted and remain elusive. Textured and layered imagery raises issues of memory, history, acquisition of knowledge, the transformation of information, and the ultimate mystery that underlies nature despite our elaborate attempts to create meaning.

Marks, the incising of lines, scrapings and fissures serve as a window into the life of materials, but also create a progressive history of alterations of the surface. The intimacy of the small-scale prints suggests notebook pages and imaginary diagrams, or cosmologies, and speaks to human efforts to discover new layers of reality beneath the surface of our everyday world. Some of the prints use appropriated imagery from scientific diagrams or microscopy. In more recent prints I have been seeking to free the line from the representation of forms, and use it to create atmosphere and space. There is a sp

ecific energy to each mark and line that can create a sense of fluidity and open-endedness, leading the viewer to multiple interpretations of the imagery."

Rosalyn Richards
www.rosalynrichards.com

17th Mini Print International Exhibit

                      Opening Reception, Friday, September 7, 2012
                        Sept. 7 - Oct. 26, 2012 
                                                
 

The 17th Mini Print International is a juried exhibition of prints no larger than 4"x4". The Exhibition has been held biennially since 1985 and was founded and directed by Bev McLean who saught to challenge artists and provide an affordable form in which international art could be brought together. The exhibitions have toured throughout the US and abroad. The Ink Shop was a host of the 16th exhibit and is now organizing the 17th and following exhibits.
Information on past Mini Print International Exhibits.

Jurors:
Minna Resnick received her BFA from the University of the Arts in Philadelphia, and her MFA from the San Francisco Art Institute. Her work has shown nationally and internationally, and resides in many permanent collections, including: The Victoria & Albert Museum, London; The Denver Art Museum; JCI University, Jingdezhen, China; Kunsthaus Grenchen, Switzerland; New York Public Library, as well as numerous university collections.

Andrea Inselmann has been curator of modern and contemporary art at Cornell University's Johnson Museum since 2002. She holds an M.A. in cultural studies from the University of Texas at Austin. After participating in the Whitney Museum Independent Studies Program she served as assistant curator of photography at the Harry Ransom Center at the University of Texas for seven years and then as curator of exhibitions at the Kohler Arts Center in Wisconsin for six years. Inselmann has organized over 80 solo and group exhibitions in all media by emerging and established, national and international artists.

 

Exhibiting Artists

Linda Andrei • Michael Arike • Fawn Atencio • K.C. Baca • Judy Barringer • Sara Basher • Matthew Basinski • Judith Brandon • Marie-Ange Brassard • Liese Bronfenbrenner • Nicole Brunet • Alexander Buzzalini • Kathy Caraccio • Stephen Caron • Pa’l Csaba • Deb Dudick • Scout Dunbar • Mark Dutton • Beth Fein • Aidan Flanagan • Yoshiko Fujita • Donald Furst • Laura Glenn • Rebecca Godin • Dorothee Goldman • Jo Gravely • Caleb Harrington • Martha Hayden • Charles Heasley • Magali Hernandez • Laura Hogan • Kazuko Hosomizu • Anita Hunt • Judith Jaidinger • Karen Klee-Atlin • Aneta Kolodziejczyk • Andrew Kozlowski • Adrienne Lederman • Lorna Livey • Nori Lupfer • Fred Madden • Craig Mains • Barbara McPhail • James Mullen • Margaret Myers • Margaret Nelson • Jim Pearson • Clarissa Plank • Ramneek Pooni • Jenny Pope • Debra Radke • Margot Rocklen • Kelly Roe • Kristi Ryba • Masha Ryskin • Adan Saenz • Marilee Salvator • Chaya Spector • Werner Sun • Amanda Verbek • Susan Verberg • Leela Viswanathan • Mary Walker • Ellen Weider • Lisa Wightman • Cleo Wilkinson • Carolyn Witschonke • Christen Wolf • Joe Ziolkowski

 

 

 

 

 

 

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Scout Dunbar Studio

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