Join us for a fun and creative 2-hour printmaking workshop designed for parents and children to explore the art of Tetra Pak printmaking! Using recycled Tetra Pak cartons as printing plates, you'll learn how to emboss, ink, and transfer stunning images onto paper. This eco-friendly technique creates rich textures and beautiful prints while promoting sustainability and artistic expression.

This workshop is a fun family printmaking class. We will be painting stenciled mylar plates with water-based inks to create subtle and intricate monotype prints. This process allows you to paint quickly onto the mylar plates, then transfer the ink to dampened paper using an etching press. You will learn about ghost images, which can achieve wonderful effects with immediate results. This technique is completely non-toxic and the fee covers participation for 1 parent and elementary school age child.

Participants will learn the fundamentals of cyanotype printing using plant matter and other objects on an exposure unit, exploring cyanotype as a lumen-style photogram process. Cyanotype, also known as the blueprint, was discovered by Sir John Herschel in 1842. It is an iron-based photographic process developed in the early days of photography. The cyanotype is typically an image rendered on paper in various shades of blue. As an entry-level workshop, this class will introduce participants to this accessible and creative process. Lumen prints, including cyanotypes, are created by placing objects on light-sensitive paper and exposing them to UV light, producing delicate and often unpredictable tonal variations. The workshop will conclude with a session on transforming prints into paper dolls.

Copper plate etching is a process where a polished piece of copper is processed with either engraving or an acid bath with the intention of creating grooves and lines to hold ink. Ink is applied to the whole plate, then carefully wiped down leaving the ink the grooves and lines. The plate is then ran through the press with a sheet of damp paper for the final print.

We will be painting stenciled acetate plates with water-based inks to create subtle and intricate monotype prints. This process allows you to paint quickly then transfer your images onto dampened paper using an etching press. You will learn about ghost images, which can achieve wonderful effects with immediate results. This technique is completely non-toxic.

We will try different techniques to create decorative paper that can be used for covering portfolios, books, presents or other paper projects. We will use simple stamping with vegetables and fruits, printing from linocut, and other material like strings, foams, etc. We will dab, spray, dye and learn how to make paste paper. Use the papers you make in this class to cover your own books in the Basic Book Structures Workshop.

This workshop introduces students to the traditional craft of printing expressive, hand-drawn lines from copper plates. Over the span of four guided sessions, students will learn each step of the process—from preparing and grounding a 4x4” plate to drawing, biting, inking, and printing on the press. Participants are encouraged to bring ideas and imagery they’d like to explore. By the end of the course, students will have created a small edition of prints and a solid foundation in the intaglio technique.

This six‑week printmaking workshop offers a hands‑on exploration of multiple print processes, guiding participants through relief printing using linoleum, drypoint on plexiglass, and screenprinting. Each week focuses on building technical skills while encouraging experimentation and creative problem‑solving. In the final class, students will bring these techniques together to create a hybrid print, combining processes to develop a layered and personal finished work. Suitable for beginners and those with some printmaking experience, this workshop emphasizes process, versatility, and creative discovery.

This entry-level workshop will introduce participants to; making simple negatives for printing, safe and proper materials handling, paper preparation and coating, exposure, processing, and toning.