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  • Parent & Child Monotype with Stencils | Jasper & Craig Mains

    This workshop is a fun family printmaking class. We will be painting stenciled mylar plates with water-based inks to create subtle and intricate monotype prints. This process allows you to paint quickly onto the mylar plates, then transfer the ink to dampened paper using an etching press. You will learn about ghost images, which can achieve wonderful effects with immediate results. This technique is completely non-toxic and the fee covers participation for 1 parent and elementary school age child.

  • Tetra Pak Printmaking, Parent & Child Workshop | Craig & Jasper Mains

    Join us for a fun and creative 2-hour printmaking workshop designed for parents and children to explore the art of Tetra Pak printmaking! Using recycled Tetra Pak cartons as printing plates, you’ll learn how to emboss, ink, and transfer stunning images onto paper. This eco-friendly technique creates rich textures and beautiful prints while promoting sustainability and artistic expression.

  • I See You 2026 | Ithaca College and Cornell University Printmakers

    I See You showcases the talent of printmaking students from Ithaca College and Cornell University, featuring a diverse range of printmaking techniques, including relief, intaglio, and screenprinting providing a glimpse into the breadth and depth of the discipline.

  • Kahn Family Fellowship Deadline

    Ink Shop Printmaking Center Studio Gallery 330 E. State St., ITHACA, NY, United States

    Apply for the 2026-27 Kahn Family Fellowship. The Ink Shop Printmaking Center offers annual Fellowships to printmakers or book artists. The next Fellowship is the Kahn Family Fellowship which begins May 15, 2026 and ends February 15, 2027.  

  • Case-Bound Bookbinding Workshop

    Over three days, participants will explore the craft of hand bookbinding from start to finish, creating a complete hardcover book to take home.  Bookbinding is a valuable skill that integrates craft and design into archival practice, empowering you to share your work in the intimate and durable format of the book.

  • Monotype through Drawing | Sarah Smelser

    Explore trace monotype, which allows an artist to work with the specific vocabulary of  drawing while making one-of-a-kind prints. Done most effectively on dry Asian paper (sometimes called “rice paper”), trace monotype can stand on its own or it can be used as the  beginnings of collages or mixed media works. Trace monotype is portable and invites  possibilities for plein air printmaking.