Past Workshops

Basic Book Structures | Christa Wolf

Basic Book Structures | Christa Wolf

Sun 10/13 10am - 3pm

$75 non-associates / $64 associates (+$35 materials)

Books are containers, holding drawings, words, and information. In this class you will fold, cut, score, tear, and stitch your way to your own unique book. The workshop will focus on the following book structures: The Instant Book, Accordion, Pamphlets, Flag, Combination Books and techniques on how to make pockets, tunnels, and basic pop-ups. This is an ideal class for both book arts beginners and experienced individuals looking for a fresh approach.

 

 

 


Course Fee

 

Paste Paper | Christa Wolf

Paste Paper | Christa Wolf

Saturday, 10/12 10am - 1pm 

$45 non-associates / $38 associates ($20 materials)

We will try different techniques to create a variety of designs and drawings on paper using a simple, non-toxic approach that can easily be brought back to your home. Use the papers you make in this class to cover your own books in the upcoming Basic Book Structures Workshop!

  

 


Course Fee

 

Silk Monotype | Julianne Hunter

Silk Monotype | Julianne Hunter

Sat 9/21 12-4pm
Sun 9/22 12-4pm

$120 non-associates / $102 associates + $30 materials 

This fun and experimental workshop combines silkscreen printing with drawing and painting techniques to create one-of-a-kind prints. Use water-based media (like gouache, watercolor pencils/crayons or graphite) to draw and paint directly onto the screen mesh to create unique images. We will utilize techniques such as stencils, shapes, layering, ghost images and background washes to keep things exciting. Experiment with color and composition to create an extensive body of work in just two days! If you love printing and are looking for more diversity and play in your practice, this class is for you!

 


Course Fee

 

Plate Litho | Julianne Hunter

Plate Litho | Julianna Hunter

Mon 9/9 5:30-9pm
Wed 9/11 5:30-9pm
Fri 9/13 5:30-9pm

$158 non-associates / $134 associates + $35 for materials

In this three-session tutorial, learn to prepare, create and print your images from photo-sensitive lithography plates. Explore traditional techniques like drawing with litho pencils and crayons, scraping away dark areas to create fine line, and painting tonal washes with tusche. Juxtapose your drawings with photographic imagery to create dynamic prints! We will get acquainted with proper press operation, set and clean-up and hone our printing skills through assisting your peers. We will participate in a group portfolio exchange on the last day and professionally sign and edition our works. Students will leave with a new understanding of the process, class portfolio and an edition of your own prints.

 


Course Fee

 

Vector Cut Stencil Monotype | Craig Mains

Vector Cut Stencil Monotype | Craig Mains

Saturday, 8/10 10am-4pm
Saturday, 8/17 10am-4pm

$180 non-associates / $153 associates (+$35 for materials)

Create stenciled monotypes and using Photoshop, Illustrator and Silhouette software to createsmooth and detailed cuts. This workshop will cover preparing vector graphics, cutting frosted mylar stencils on a Silhoette vinyl cutter and painting stenciled mylar plates with water-based inks to create subtle and intricate monotype prints. This process allows you to paint quickly onto the mylar plates, then transfer the ink to dampened paper using an etching press. You will learn about ghost images, which can achieve wonderful effects. This technique is completely non-toxic, and can be used in a classroom settings.

 

 


Course Fee

 

Intro to Relief | Jenny Pope

Intro to Relief | Jenny Pope

Thurs 8/8 5:30 - 8:30pm
Thurs 8/15 5:30 - 8:30pm
Thurs 8/22 5:30 - 8:30pm

$135 non-associates / $114.75 associates ($35 for materials)

Learn the basic techniques of making relief prints using MDF (medium density fiberboard)! We will focus on registration, mixing inks, and editioning a final print. No prior experience necessary. Students will go home with a print and the knowledge of how to do it again.

 

 


Course Fee

 

Two Color Etching | Christa Wolf

Two Color Etching | Christa Wolf
 
5/14 - 5/28, Tuesdays and Thursdays 10am-1pm
 

$225 non-associates / $191.25 associates ($35 for materials)

Join our 2 color etching workshop and express your ideas with one of the most traditional yet mostexciting forms of printmaking. We will explore the use of color in an etching, which is slightly non-traditional but produces amazing results. We will spend our time making images, proofing plates and creating small editions.

 

 


Course Fee

 

Mezzotint | Judy Barringer

Mezzotint | Judy Barringer

Sat, 5/11 10am-3pm
Sat, 5/18 10am-3pm
Sat, 5/25 10am-3pm
Sat, 6/1 10am-3pm

 

$300 non-associates / $255 associates ($35 for materials)

Mezzotint is a printmaking process of the intaglio family, technically a drypoint method. Mezzotint achieves tonality by roughening the plate with thousands of little pits made by a metal tool with small teeth, called a "rocker." The whole surface of the plate, usually copper, is roughened evenly, manually with the rocker, or mechanically. In printing, the tiny pits in the plate hold the ink when the face of the plate is wiped clean. Areas smoothed completely flat will not hold ink at all: such areas will print "white," that is, without ink. By varying the degree of smoothing, mid-tones between black and white can be created, hence the name mezzo-tinto which is Italian for "half-tone" or "half-painted". This is called working from "dark to light", or the "subtractive" method. A high level of quality and richness in the print can be achieved.

 

 


Course Fee

 

Vector Cut Stencil Monotype | Craig Mains (Session 2) FILLED

 Vector Cut Stencil Monotype | Craig Mains

Saturday, 2/9        10am - 4pm
Saturday,   2/16    10am - 4pm

$180 non-associates / $153 associates ($35 for materials)

Create stenciled monotypes using Photoshop, Illustrator and Silhouette software to make smooth and detailed cut shapes as a base matrix for making some exciting prints.  This workshop will cover preparing vector graphics, cutting frosted mylar stencils on a Silhoette vinyl cutter and painting stenciled mylar plates with water-based inks to create subtle and intricate monotype prints. This process allows you to paint quickly onto the mylar plates, then transfer the ink to dampened paper using an etching press. You will learn about ghost images, which can achieve wonderful effects. This technique is completely non-toxic, and can be used in a classroom settings.

 

 CLASS FILLED

 

Vector Cut Stencil Monotype | Craig Mains

Vector Cut Stencil Monotype | Craig Mains

Saturday, 1/5    10am - 4pm
Sunday,   1/6    10am - 4pm

$180 non-associates / $153 associates ($35 for materials)

Create stenciled monotypes using Photoshop, Illustrator and Silhouette software to make smooth and detailed cut shapes as a base matrix for making some exciting prints.  This workshop will cover preparing vector graphics, cutting frosted mylar stencils on a Silhoette vinyl cutter and painting stenciled mylar plates with water-based inks to create subtle and intricate monotype prints. This process allows you to paint quickly onto the mylar plates, then transfer the ink to dampened paper using an etching press. You will learn about ghost images, which can achieve wonderful effects. This technique is completely non-toxic, and can be used in a classroom settings.

 


Course Fee

 

Affiliated with
hpeterkahn.org
Scout Dunbar Studio

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Community Arts Partnership